In It’s 21st year Dancing Preachers International (DPI) is one of the leading liturgical dance conferences world wide. The Dancing Preachers have "Feet that Preach!" The DPI Conference has traveled to several countries to share the good news of Jesus through the arts!
As our feet map out Nations we brought many ministries with us to Bahamas, Puerto Rico, Barbados, Jamaica and more as we express the five fold ministry in action. There are more than 23 countries and 42 states in attendance during Dancing Preachers International: The United Sates, The Philippines, Jamaica, Barbados, Aruba, Israel, Antigua, Korea, Japan, Canada, Congo, Brazil, Trinidad, St. Thomas, Mexico, Russia, London, Aruba, Bermuda, Virgin Islands, Bahamas, Thailand, Cayman Islands, and St.Vincent.
July 13- July 17, 2021 in Orlando, Florida
Now with more 2,078 members The Georgia Dance Commission was founded in January 2005 by Sabrina McKenzie as a multicultural organization designed to unify the arts by promoting arts awareness, partnering with dance organizations and lobbying government for Georgia arts programs.
In April 2005, we were inundated with an overwhelming number of requests from dance ministries in Bahamas, Trinidad, South Africa, Puerto Rico, Bermuda and others, to establish chapters abroad and duplicate the awesome work taking place in Georgia.
In this same year the Georgia Commission changed its name to the International Dance Commission and supported the Dancing Preachers International conference which had over 700 dance ministers in attendance from around the globe.
In 2008, we are happy to announce that there are over 40 chapters established world wide. We have five regional coordinators, legislators as partners, a corporate office in Atlanta, a dance marketing promotional service, quarterly newsletters, 24 hour prayer groups, and over 10 workshops taking place each year for the equipping of the saints.
Our motto is "We Don't Just Dance, We Vote." With this in mind, the International Dance Commission has set up voter registration drives in every chapter and consistently lobbies the government for arts funding, performing arts in public schools and positive representation for television programming.
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